Catch
JAGA JAZZIST at the Islington Academy, London on 3rd March, tickets
are £15, doors are at 7.30pm, and here come a few more details...
The nine piece Norwegian jazz-rock-experimental-prog beast known as Jaga
Jazzist are a mighty fine live experience, and this will be their only
UK tour date on this current run. Their new album "One Armed Bandit" has
seen the band receive some of their best reviews yet...
"A rich
blaze of colour, warmth and life, One Armed Bandit is one of the most accessible
works of an avant-progressive persuasion you'll ever hear. Unashamedly
pleasurable, it's exotic holiday listening yet under the hood it's full
of sly abnormal time signatures and sleek references all manner of strange
and lush things: Stereolab, obviously, and classic modern film composers
like John Barry and Morricone, and naughty-but-nice helpings of Esquivel
and Bacharach. Oh, and Philip Glass, and a wry touch of glitch, and that
Don Caballero/Battles guitar thing, and production that sits perfectly
between analogue depth and modern technical freedom.
Jaga Jazzist are a big, bold collective of Norwegian musicians, nine of
them in all helmed by main writer Lars Horntveth, and this big, bold, filler-free
album was a combination of Lars' scored-out craft and a loving coming-together
of a lot of talent. Their albums have always been good, but One Armed
Bandit is a real gathering-up and letting rip of what they're about....
(read the Organ review in full half way down this
page here)
"Jaga Jazzist have become something of a musical phenomenon in Norway since
they started out fifteen years ago. Not only is this instrumental band
regarded as one of the most exciting and innovative in Norway, the members
are all involved in other musical projects and have in one way or another
contributed to almost every significant recording to come out of that part
of the world in the last few years. Their albums sell huge quantities
in their own country and massive crowds come to their shows. At heart this
collective is a restless soul, going in many directions at the same time,
but always going forward. Fast. The band always push their boundaries,
both personal and musical. That is why they are impossible to categorize.
And that's why they're special. Jaga is something natural and beautiful.
A necessity. For both them and us”.
Further investigation via www.myspace.com/jagajazzist
or watch some Jaga Jazzist live here
on YouTube...
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TWELFTH
NIGHT for London... the cult 80’s prog rock band are up and
playing again. The Andy Sears fronted version of the band with all their
Art & Illusion and Blue Powder Monkey flirtations... Well it
really would be news if the late Geoff Mann was to be fronting the band
again wouldn’t it! Good to see the Mr Sears version exploring things once
more.. Wonder if they’re any good now?
Twelfth Night play The Luminaire
in Kilburn, West London on May 28th.
Who Are They?
Twelfth Night, in all their forms, were one of the classic underground
cult bands of the 80's. The Reading based band were a big part of that
rather exciting underground 80’s British prog rock scene that was so alive
for a while back there. A thriving scene that also threw such fine bands
as IQ, Pallas, Tamarisk, Marillion (yes they were good once, they were
real market square heroes for a while back at the start), Citizen Cain,
Quasar, LaHost and such (Quasar are busy with their new album by the way,
heard from them only the other day). Tweflth Night were the early leaders
of the scene, and while others happened to be in the right place at the
right time and establish themselves a little more, Twelfth Night for a
while the flag-wavers open the doors for Marillion and company
The whole scene ran via self released cassette albums, bootleg trading,
demo swapping, a get in the van DIY attitude more akin to the hardcore
punk of bands of the time and all powered by a healthy dose of vibrant
fanzine power (including the early moves and first editions of Organ down
the Wardour Street Marquee jousting with Urban Guerrilla, Revelatory, The
Stairway and such). A prog rock scene that grew until it become so big,
it could no longer be ignored by a still fighting the punk wars sneering
mainstream media and eventually all those must sign the next big
things major labels.
Alas virtually all the big players did indeed land themselves major label
deals and almost immediately compromised their sound in doing so. Pallas
and IQ were particularly guilty as Twelfth Night took themselves off in
a suicidal modern pop-rock Duran Duran meets Simple Minds trying to be
U2 direction via Virgin Records. All of the bands one by one jumping ship
and leaving their much loved prog excesses, their twenty minute concept
pieces and their white face masks behind on their now disowned self-released
(or small independent label) albums along with the abandoned jesters, magpies,
mirrors and speaking ceilings... “Ok lads, over the top we go...”, and
off they all went to almost instant slaughter at the hands of the big labels
and the make-over marketing departments.
The legions of original fans were loyal though and although all the bands
pretty much failed to make any mainstream crossover impact, the prog networks
and the zines were all still there and alive as fresh bands arrived and
the whole underground movement went worldwide. One by one the bands all
acknowledged their folly, found their masks and returned to their roots.
One by one remembering they were all really excess-loving Mellotron-humping
prog-heads and that Yes and earlyGenesis were indeed cool and they should
never have listened the big record labels... Thestreets were not paved
with gold, and one by one they all got dropped, one by one they all
reconnected with their roots and one by one started to grow once more as
their songs got longer again and word spread of fresh wonderous stories,
of new tricks of the tail. New albums, bigger venues. Word of mouth spreading,
the scene’s own media evolving, the tentacles of the prog networks linked
up at the internet arrived, no longer needing permission, no longer needing
the mainstream music industry to grow, it spread around the globe - all
the while that no longer needed mainstream remained oblivious to it all.
You’d occasionally come upon a confused NME journalist or a passing A&R
man scratching his head outside a sold out Astoria as bands they’ve never
heard of played to a packed houses of people travelling hundreds of miles...
And so while IQ grew and Porcupine Tree evolved, while Pallas spluttered
back to life, Fish rediscovered The Script, while new ‘supergroups’ formed
and Mick Pointer came out of hiding, while new bands emerged, while the
Americans caught on with their own bands like Spocks Beard and Dream Theater
became part of it. While people carried on trading Dagaband tapes and old
Tamarisk demos, carried on writing zines, while new bands joined in and
released albums, while it all quietly secretly evolved and grew (and even
Pendragon got to headline big venues). While new specialist labels grew,
while the zines expanded some more, while it all evolved and the bands
sold more records and played bigger venues than ever, while all that was
happening Twelfth Night remained quiet. The only one of the ‘big’ names
of the early 80’s scene to not make a return, where were Twelfth Night?
People would gather in dark corners and whisper about them, a member spotted
here, a rumour there...
And then, twenty years on from the flop that was the self-titled major
label debut and the band splitting in 1987, they reunited for a series
of seemingly very well-received low-key gigs. Further one off gigs followed,
their original albums were released on CD and all culminating in December
2009 with the publication of an extensive biography of the band, called
'Play On!'.
Reports coming back suggest the reformed Twelfth Night shows of recent
years have been good. We can’t report first hand, not a fan of old bands
trying to recapture former glories and tainting fond memories. Twelfth
Night were a big part of early Organ history, and indeed pre-Organ history,
didn’t go check them out last year (those rather high ticket prices for
relatively small venues left a bit of a bad taste as well). Reports were
good though, and Twelfth Night live, right through to the end, have always
been good - especially on that Art And Illusion tour that ended
at a packed Dominion theatre in London in '85 (and a whole load of confused
Shakespeare-loving nuns, tickets in hand, standing outside).
And so having made a bit of a return, seems Twelfth Night have a taste
for a little more, and this time we might just clime the yellow and blue
ladders and go see if the ceiling really does still speak....
Twelfth Night play The Luminaire in Kilburn, West London on May 28th. Ticket
details and more from www.theluminaire.co.uk.
Explore the latest Twelfth Night moves via www.myspace.com/nighttwelfth
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